Hello & welcome back to A Look at Disney. Monday, as a part of the Mickey Mouse Mondays (2013), I reviewed Potatoland, a short that was supposed to celebrate Mickey's 85th birthday and in that regard, I was disappointed as it did nothing to celebrate or honor the career of Mickey Mouse. In that same review, I mentioned that I would review Get A Horse! Now, I'd been pumped for this short since I first learned of it and at the time, I thought it was a lost Mickey Mouse short but if I remember correctly, Disney was promoting it that way as to hide what the short was really like. This short was conceived and directed by Lauren MacMullan, who had previously worked on The Simpsons and Avatar: The Last Airbender. She came up with this idea from her fondness of the earliest Mickey Mouse from 1928 - 1929 and in that regard it shows, and something that impressed me is that used archival voice recordings of Walt Disney, Billy Bletcher, and Marcellite Garner for Mickey, Pete, and Minnie. Now, the formers' current voice actors, Russi Taylor and Will Ryan. Okay, Will Ryan isn't Pete's current VA but to be fair, he has voiced the character before and other additional voice actors such as Jess Harnell (Cedric from Sofia The First to me) can be heard in this short. Now, with that out of the way, let's begin the review.
Even the title card invokes a feeling of a traditional Mickey Mouse short that Walt would've worked on. Nice work.
The Plot
Our short starts with Mickey leaving his house and getting on a hay ride with all of his friends including Horace Horsecollar, Clarabelle Cow, and Minnie, who he helps onto the hay ride in a cute scene by making his leg a staircase.
And oh my, just the animation here. Hmph, this is to die for. This is just gorgeous stuff. I feel like, I've really been transported back in time and as if this short should be on one of those Walt Disney Treasures collections. After Mickey gets on, who should show up nasty old Pete in his jalopy as he knocks his horn that wants to make way for the future and gazes on Minnie. Mickey takes notice of this and puts Clarabelle in front of him. But uh oh, Pete has kidnapped Minnie.
Pete is angry at Mickey's prank and then hurls Mickey along with Horace into the screen causing them to crash through and land in the modern world.
Now there are two things that need addressing here, the change in animation style from hand-drawn to computer animated. Honestly, the flow of it was smooth and nicely done and secondly, I find that short's intent with this moment was to make the short seem as though Mickey landed in the theater of the audience watching Get A Horse! From the screen, Pete taunts Mickey as he still has Minnie and Mickey tries to find a way to get back.
As this happens, Mickey reveals that the screen is wider than than first thought and just then who should come up but Horace wearing a Captain America shirt and with someone's cell phone. Now, I find the shirt that Horace is wearing as being a way of acknowledging all of Disney, now that they own Marvel. And Mickey sees that Horace has Milk Duds and popcorn and makes Horace into a plane and uses the Milk Duds as his ammo.
This was really funny and just a great callback to how shorts used to do stuff like this. Alas, they end up crashing on the stage and just then a smartphone that Horace apparently took goes off and this gives Mickey another idea. Mickey calls Pete on his phone and through sprays the foam of a fire extinguisher. We later see Pete land on a frozen lake and Mickey pokes a hole in the screen causing the water to leak and to bring Pete, Minnie and the other characters to the modern world.
And then we get a great chase sequence that incorporates both styles of animation as Pete chases the character in and out of the screen.
Pete snatches Minnie again and punches Mickey out of the way. The others try to get back into the screen but their plan backfires and just causes the screen to flip upside down. Minnie, then gets an idea to have Mickey flip the screen again and we get various different moments of Pete in pain such as having his car land on him. And this goes on for a while, Minnie then drives Pete's car and ends up tearing the screen down and we now have the 1928 styled characters in CGI, which reminds me of Epic Mickey. Speaking of which, keep your eye out for a cameo from Oswald The Lucky Rabbit.
Mickey, then pulls a new screen down waving goodbye and Pete's pants flap open up to say The End! This is how you honor Mickey Mouse. This short took Mickey back to his heyday and showed people what a classic Mickey short was like by bridging the world of old Disney with new Disney and it was never mean-spirited and never made you hate the characters. This short honored the legacy of Mickey Mouse and who he is by showing people what he was like early on in his career. If the 2013 series of shorts, had taken their cues from Get A Horse!, I wouldn't hate so many of them. Some of those shorts are insults to these characters whereas this one knew who the characters were and it was clear that people behind this short love Mickey Mouse and cherish him and wanted to do right by him whereas I feel like the people working on the 2013 series for the most part are just there to collect a paycheck and don't care about Mickey's image at all.
Characters
Mickey Mouse voiced by Walt Disney
Honestly, I loved watching Mickey in this short and the fact that he was voiced by Walt was even cooler to me. That helped in making the first half feel like an actual short from late '20s. Bravo, bravo. Mickey was the scrapper little hero trying to do right and save his gal. This short knew who Mickey Mouse is and treated him with the respect that he deserves.
Horace Horsecollar
I was pleasantly surprised to see Horace get such a large role again as it's been ages since we've got to see him do anything of substance with Mickey and this was nice and just a lot of fun to watch.
Minnie voiced by Marcellite Garner and Russi Taylor
I'll be honest and say that I could not tell where the voices came in but I'm assuming the footage for Garner was used in the beginning and Taylor voiced Minnie in the latter half of the short. Either way, she did a great job of capturing the early Minnie Mouse.
Villain
Pete voiced by Billy Bletcher & Will Ryan
Again, like with Minnie, I could not tell where one voice stopped and the other started. And honestly, it was so nice to get to see Pete be truly villainous again. This was the old Pete that I love and is my favorite Disney villain. Because this short brought back the bully side of Pete that had been missing for years and it was a treat to see that again.
My Final Thoughts
This short is amazing and this is what I expect from a short celebrating Mickey's career. This is easily one of the best Mickey shorts to come out in a long time. It is just so good. I can't say anything more about this short other than I love it. Peace!
I feel the same about Mickey Mouse 2013. When I saw "Croissant de Triomphe," I was actually a bit impressed. It was decent and retained much of the integrity and the style of the original cartoons (aside from a slight, unnecessary reference to "Cinderella"). But, when I saw shorts like "No Service," "New York Weenie," and "Yodelberg," I was appalled at the horrifying imagery, the vulgar and mean-spirited visual and verbal jokes, and at how characters were either cardboard cutouts or stereotypes of themselves. Aside from the obvious focus groups, who was this trash made for and would you want to be sitting with them in the same living room, or reading praising comments on YouTube or Facebook?
ReplyDeleteI gave up hope with the shorts around Gasp! but during the summer, I went back and watched the first season and reviewed the shorts from season 1 that had come out after I stopped watching and I was just appalled at what I saw. It felt like they were trying to turn Mickey Mouse into Spongebob Squarepants. There were a few good shorts but not enough for me to feel comfortable recommending them to someone. I mean, if someone had never heard of Mickey Mouse before and they saw the 2013 cartoons first, they would get the wrong impression of who the character is supposed to be.
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